↑ Ngo Quang Nam in loose, almost calligraphic stroks captues the mood a scene rather than its empirical reality.While this commitment to the emotional truth beneath what is seen and to “the spirit of the picture” has a distinctly twentieth – century ring, we can see evidence of it in traditional Vietnamese arts, for example, woodblock print whose colors may not be realistic but workin terms of their visual effect…
↑ All the works of Ngo Quang nam are painted with matured skill and confidence to match. In particular, if one examiners his landscape (see Prague landscapes) one can see his flare for color, his confidence and ease with which he painted works. The mood and movement projected underlines the passion Quang nam feels for his subject matter. The daily activities in rural Vietnam are captured with few simpl stokes, which take the artist years of practice.Several Vietnamese artist have screated a stir in the Asian Art Area in the past decade, it is a tribute to Vietnam that Ngo Quang Nam, despite his many official workloads, continues to fascinate us with his journey of new discovery every now and again
